THE WEST IS RETURNING PRICELESS AFRICAN ART TO A SINGLE NIGERIAN CITIZEN – Should it? By David Frum

Excerpt:

I spoke and corresponded with Farmer-Paellmann in late May, as she was preparing to leave for the Cannes Film Festival to present a film she had made about the slave-trade origins of the Benin artworks, They Belong to All of Us. “It feels like we are being sold all over again,” she wrote to me after we had spoken.

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